|
|
X m/ j5 ?! I6 o9 Z7 z( @Not a remake, is a reboot a global scale!' B% t2 ^1 |) H
3 b' \- U5 Z& B# \7 e% g
The sense of quirky comedy from director Sato also shown in Tiger & Bunny
6 ], v2 q8 }- ]% LBy liking American animated productions and Pixar designs Sato Director has the objective laughter , a " comedy" full of wit instead of " jokes "- W) V' V0 y% q9 H9 E n8 I5 u ?
After intentionally inserted this essence in facial expressions of the characters* n: I/ t3 s1 M" g
2 v1 v+ F, O p' v
The character design does not affect the charm of 2D animation- Z; w) w& Q$ z! ]" ~% C* b
The characters are so well expressed in 3D CG in terms of background scenery and fights , insert the drama, but the hands of the animators were also a point of emphasis . Mix the typical Japanese character design animation with 3D intensity , getting a good proportion and balance.# A5 c4 U- b0 y% W6 ^% @ C* L3 Z5 I
- |5 x9 l# ]6 u2 Z3 O
A new cloth design became more detailed CG 3D# v6 ~; l3 E) F
The holy cloth adopts a new design that matches the textures CG For the same reason , the movement launched techniques differ from conventional action scenes , arising clashes with this change , highlighting the sense of dynamism
% A2 G8 k* C \; J% A1 U
4 z( H% Z- K0 `% G% S/ K3 Q9 N( v3 v) ?2 J) W
In May 2014 , before the premiere of the film "Legend of Sacntuary " ( Saint Seiya: Legend of the Sanctuary) , a series of publications brought interviews and other information to promote this release, and here's one of elloas . The director Keiichi Sato talks a bit about the movie , because this movie is far from a simple CG version of the most popular saint seiya saga
/ V+ }& H& W9 M! H1 z" `2 dDirector Sato won reputation for mastering the use of 3D CG anime productions .
$ c3 l8 r9 Y( pWe ask ourselves, as a director, what kind of idea had to completely convert Seiya CG ?# W3 T" K! ?& `5 R: ~8 b( u. m
+ _: B) l w8 f \# p
1 {1 F- O1 w) w2 H, e' V"I was convinced that I could represent Seiya, it was now time to produce it. But major fans of the series were essentially of a generation of 30 to 40 years . Was different with children who were familiar with digital movies Disney , and to them was limited to 3D CG motion capture used in games. half the Japanese like to cosplay ( laughs). 's also true that many people are uncomfortable with this visual approach "suggest speakers a doll (figure)., x) S {) r2 w- o1 O
- V; B/ H8 b0 S4 j: v" p) G
How could I convey the essential charm of the work in a short movie ? For example , the movie "Dark Knight" made ​​a great impression with the solitary existence of Batman left the foundations of American comics.
; j' p- H' }$ `$ h" d" `By placing Saori Kido, the goddess Athena, as the basis of the story in this book also stressed the importance of the struggles of the Knights . "I was worried that the mission is essentially arouse a woman . So , he was described as an independent woman."' Q( X" y( N2 {$ s8 y0 e9 t
% p9 }* H/ \8 KYou could say that this production challenge facing concerns that the Japanese do not like using the 3D CG with 2D anime.
* U" d; V$ Z. x( a* `"It was great to get a great achievement in 3D CG with the globally popular content Seiya . Might be that the fans be surprised due to changes in CG of typical representations of the manga, as with special techniques. Having become something a little different from " Saint Seiya " traditional , I think this challenge became an opportunity to offer interesting situations with 3D CG animation in Japan. "6 U% H, Q0 }+ f( H3 J6 [( ?& S+ u1 B
3 X4 n- I, D7 w$ d, {
original source: http://taizen-saintseiya.com/ent ... to-diretor-getnavi/
; @1 ~4 a- N* m# n转自:SSP |
|
发表于 2014-5-28 02:36
! v/ E3 N9 x' X3 J' u2 i: i
$ |; r& @: v4 d/ D/ q" ^
8 E$ v- z4 |1 g" g$ f
1 G# p' j1 ]5 u
发表于 2014-5-31 11:58
( R) S" A- U6 I4 r# a
发表于 2014-6-1 14:41
发表于 2014-6-1 15:08
发表于 2014-6-1 15:09
楼主
)......
)
`. s3 y7 I G! B! w
. V7 `+ w* O- Q2 ~7 T1 i
( y/ i+ ~0 S9 k+ l
; O+ C- W4 S8 B1 i, W% x6 I
! g' t' \. w2 }0 l5 q: g! k
/ X' r9 D! h" K6 e
% L- ^7 x, f Z6 U
; A& J; V, b" s" e/ [* D
; Q9 |$ @/ a6 h& ^+ k
( s& i- z. J. k4 Q; u6 l* K
3 ?3 }+ i+ o4 W& J k3 s# B
) r- S" o8 w* B( f1 \